In the collection, every gesture is subtle; it does not intend to personify an evil person, but rather that the perversity mutates with the good child. We continue to appreciate the tender elements of his genuine look, contrasted with the excessive volumes of this fusion. Thus a new character emerges who possesses the ambiguous essence of existence.

Drawing on the gaze of John Berger and the images of Andrea Soto, he explores the archetype of the smooth figure of the good child. Inspired by Jana Sterbak, who crudely appeals to our creative desire born of the finitude of our bodies and the relations of control and possibility to which we subject them, as well as Maggie Nelson’s freedom.

The collection is created from noble fabrics such as gauzes and wools treated in an unusual way to abstract the possibilities of masculine expression, playing with leathers on the right and on the reverse, in order to give a more robust aspect transforming the fragile aspect of the former, and contrasted with nylons, viscose or cottons.