Just as a sculptor moulds clay or carves stone, she used digital modelling to sculpt this collection that reflects the human form through the hands of technology. This transforms the pieces into portable sculptures, inviting viewers to reconsider the boundaries not only between the physical and digital realms, but also between traditional craftsmanship and modern technology.

In the ever-evolving landscape of the future, the lines between humanity and technology blur seamlessly. “The Nexus Paradox” encapsulates this intriguing era, delving into the dichotomy between human and digital identity. The avant-garde collection challenges the fight for genuine originality in a world where everything can be copied, translating the essence of digital existence into physical form.

Using a home 3D printer, I mainly use SILK PLA filament – an eco-friendly material made from corn starch – for its biodegradable properties and smooth texture. Crafting each piece layer by layer, I meticulously follow a manual assembly, adding metal hardware and finishing touches to ensure uniqueness.