The work is here to disrupt. It is rooted in discipline and desire, moving between the whisper and the roar. Hand-knitted and hand-sewn, it becomes a living, breathing mirror. It stitches grief, hope, and resistance into form, crafted by hand while speaking through the soul. It also embraces the vulnerability of expression within the vessel of body and soul.

The practice is shaped by a concept called “finding the red.” Amidst rot and ruin, there is always a sharpness—a deep, visceral red that pulses like radical resilience. Red is not only visual; it exists in texture, sound, and scent. It guides the development of a language built through whisper rather than scream, embracing vulnerability.

Deadstock leather, red eri silk, silk, cotton, linen, decayed leaves and bark, and natural dyes including madder, logwood, chestnut, oak gall, sticklac, Brazil wood, and Persian berries. The collection also uses recycled wool, British wool, cloud wool, coconut leather, and camel yarn.